Posts tagged Vocal
Posts tagged Vocal

Qawwali is a traditional form of Islamic song found in India and Pakistan. The word Qawwali is derived from the Arabic word Qaol which means ‘axiom’ or ‘dictum’. A Qawwal is one who sings qawwali, or the dictums of the prophets and praises of God. The qawwali is closely linked to the spiritual and artistic life of northern India and Pakistan.

Ragas of the Season by Legendary artists - Miyan Ki Malhar , Gaud Malhar , Jhoola , Des , Gaud Giri Malhar , Nat Malhar , Megh Malhar, Ramdasi Malhar , Kajri , Haveli Sangeet.

Ragas of the Season by Legendary artists - Miyan Ki Malhar , Gaud Malhar , Jhoola , Des , Gaud Giri Malhar , Nat Malhar , Megh Malhar , Ramdasi Malhar , Kajri , Haveli Sangeet.


Neela Bhagwat is a familiar name for lovers of Hindustani music the world over. As a front-ranking exponent of the Gwalior style of singing, she has upheld the aesthetic principles of traditional music. As an innovative performer, she has combined the purity of raga with the folk idiom of medieval saint poets like Kabir, Shajo and Meera.

Lakshmi Shankar, one of the foremost and well-known vocalists of India, had her training in the North Indian tradition from Ustad Abdul Rehman Khan of the Patiala Gharana. Later she learned from many masters including Prof. B.R. Deodhar and also from the sitar Maestro, Pandit Ravi Shankar, whom she assisted in most of his projects for ballets, films, fusions and festivals.

This double CD album features Fariduddin Ayaz & group, qawwals from Karachi, Pakistan, and Shafi Mohammed Faqir, a Sindhi Manghaniar folk singer from Umarkot in Sindh, Pakistan.

In these music CDs, Kabir speaks through the voices of ten different singers from India and Pakistan in a stunning array of musical and regional styles ranging from folk to classical, Sufi qawwali to dhrupad gurbani.

This double CD album features Fariduddin Ayaz & group, qawwals from Karachi, Pakistan, and Shafi Mohammed Faqir, a Sindhi Manghaniar folk singer from Umarkot in Sindh, Pakistan.

In these music CDs, Kabir speaks through the voices of ten different singers from India and Pakistan in a stunning array of musical and regional styles ranging from folk to classical, Sufi qawwali to dhrupad gurbani.

In these music CDs, Kabir speaks through the voices of ten different singers from India and Pakistan in a stunning array of musical and regional styles ranging from folk to classical, Sufi qawwali to dhrupad gurbani.

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Amanat Ali Khan was born in Hoshiarpur, Punjab to Akhtar Husain Khan and the grandson of Ali Baksh Jarnail, the founder of ‘Patiala Gharana’. Along with his brother Ustad Bade Fateh Ali Khan, the young Amanat Ali started singing for gatherings (‘mehfils’) and at an early age he became a recognised singer in the court of the Patiala king.

He is tagged as Shahenshah-E-Ghazal (King of Ghazal) by his fans and music critics. He is unparalleled when it comes to Ghazal singing. He carved his name prominently in the history of Ghazal singing. His influence of Ghazal singing from 60s to 80s led many other leading singers to sing Ghazals.

Jagjit Singh is credited for the revival and popularity of ghazal, an Indian classical art form, by choosing poetry that was relevant to the masses and composing them in a way that laid more emphasis on the meaning of words and melody evoked by them. In terms of Indian Classical music, his style of composing and Gayaki (singing) is considered as Bol-pradhan, one that lays emphasis on words.

Jagjit Singh is credited for the revival and popularity of ghazal, an Indian classical art form, by choosing poetry that was relevant to the masses and composing them in a way that laid more emphasis on the meaning of words and melody evoked by them. In terms of Indian Classical music, his style of composing and Gayaki (singing) is considered as Bol-pradhan, one that lays emphasis on words.

Jagjit Singh is credited for the revival and popularity of ghazal, an Indian classical art form, by choosing poetry that was relevant to the masses and composing them in a way that laid more emphasis on the meaning of words and melody evoked by them. In terms of Indian Classical music, his style of composing and Gayaki (singing) is considered as Bol-pradhan, one that lays emphasis on words.